Songs of Innocence and of Experience (The Illuminated Books of William Blake, Volume 2)
The core of William Blake's vision, his greatness as one of the British Romantics, is most fully expressed in his Illuminated Books, masterworks of art and text intertwined and mutually enriching. In 1949 the William Blake Trust was founded to bring these rare, in some cases unique, works to a wider general audience through the publication of superbly produced facsimiles of each book. By the late 1980's these facsimiles had themselves become rare books. The Trust accordingly resolved to initiate a collected edition that would publish accurate reproductions of all the Illuminated Books to be accompanied by notes and commentaries by leading Blake scholars. Songs of Innocence and of Experience, one of the best known of the books, is now reproduced in paperback for the first time from the King's College, Cambridge copy--sometimes known as "Blake's own copy." The poems have been edited with introduction, notes, commentaries, and bibliography.
It is a very strong light indeed that comes from these quarto volumes. They reproduce, plate by plate, Blake's hand-lettered verses and colored illustrations. . . . These illuminated books, masterpieces of the book maker's art, answer critical questions, especially about the poet's late, recondite allegories. They remind the poetry scholar that his Blake was first a visual artist, indebted to Raphael and Michelangelo, and second a writer beholden to Spenser and Milton. . . . The greatest contribution of the Princeton facsimiles is that they have made Milton and Jerusalem accessible in the only form Blake ever wished to present them.
Masterpieces of English lyric poetry, written and illustrated by William Blake. Songs of Innocence, published in 1789, was Blake's first great demonstration of "illuminated printing," his unique technique of publishing both text and hand-colored illustration together. The rhythmic subtlety and delicate beauty of both his lyrics and his designs created rare harmony on his pages. The poems transformed his era's street ballads and rhymes for children into some of the purest lyrics in the English language. In 1794 Blake published Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul. It contained a slightly rearranged version of Songs of Innocence with the addition of Songs of Experience. The poems reflect Blake's views that experience brings the individual into conflict with rules, moralism, and repression; as a result, the songs of experience are bitter, ironic replies to those of the earlier volume. The Lamb is the key symbol of Innocence; in Experience its rival image is the Tyger, the embodiment of energy, strength, lust, and aggression. --The Merriam-Webster Encyclopedia of Literature
These are Blake's most popular and accessible works, by far. The poems combined with the wonderful drawings make powerful and memorable statements that stay in your heart and mind. Several, such as "The Tyger", "The Chimney Sweeper", and "London", are very well known. Each of us has our own personal favorites and love turning to them again and again.
One of issues in buying an edition of these works is that they exist in a variety of colorings, and orders. I would recommend this edition for several reasons. The selection of the King's College Copy is one of the most uniformly delightful or the copies Blake (or his wife) colored. Also, the reproduction is of very high quality. Each plate is on a right hand page with the text in print on the left hand page (in case you have problem reading the plate). Even thought the book is in a large format, the plates are reproduced in their actual size (which is surprisingly modest).
There are also a dozen plates provided from other editions. However, I would recommend that you pick up other editions based on other copies. The variety of schemes Blake used in coloring the plates is quite interesting and, well, illuminating.
The second half of the book is commentary on the 54 plates of this copy. There is an introductory essay and a list of works cited in the commentary.
It really is a beautiful reproduction and a joy to have on my shelf. --Reviewer: Craig Matteson from Ann Arbor, MI
