In 1934 Pablo Neruda took up an appointment as consul in Barcelona, Spain, and soon he was transferred to the consulate in Madrid. His success there was instantaneous after García Lorca introduced him. Neruda's new friends, especially Rafael Alberti and Miguel Hernández, were involved in radical politics and the Communist Party. Neruda shared their political beliefs and moved ever closer to communism. In the meantime, his marriage was foundering. He and his wife separated in 1936, and Neruda met a young Argentine woman, Delia del Carril, who would be his second wife until their divorce in the early 1950s.
A second, enlarged edition of the Residencia poems entitled Residencia en la tierra, 1925–35, was published in two volumes in 1935. In this edition, Pablo Neruda begins to move away from the highly personal, often hermetic poetry of the first Residencia volume, adopting a more extroverted outlook and a clearer, more accessible style in order to better communicate his new social concerns to the reader. This line of poetic development was interrupted suddenly by the outbreak of the Spanish Civil War in 1936, however. While García Lorca was executed by the Nationalists and Alberti and Hernández fought at the front, Neruda traveled in and out of Spain to gather money and mobilize support for the Republicans. He wrote España en el corazón (1937; Spain in My Heart) to express his feelings of solidarity with them. The book was printed by Republican troops working with improvised presses near the front lines.
In 1937 Neruda returned to Chile and entered his country's political life, giving lectures and poetry readings while also defending Republican Spain and Chile's new centre-left government. In 1939 he was appointed special consul in Paris, where he supervised the migration to Chile of many defeated Spanish Republicans who had escaped to France. In 1940 he took up a post as Chile's consul general in Mexico. He also began work on a long poem, Canto general (1950; “General Song”), resonant with historic and epic overtones, that would become one of his key works. In 1943, during a trip to Peru, Pablo Neruda climbed to the ancient Inca city of Macchu Picchu. The strong emotions aroused by the sight of this spectacular ruin inspired one of his finest poems, Alturas de Macchu Picchu (1943; Heights of Macchu Picchu). This powerful celebration of pre-Columbian civilization would become the centrepiece of Canto general.
In the meantime, Neruda suffered a stunning reversal in his native country. He had returned to Chile in 1943, was elected a senator in 1945, and also joined the Communist Party. He campaigned for the leftist candidate Gabriel González Videla in the elections of 1946, only to see President Videla turn to the right two years later. Feeling betrayed, Pablo Neruda published an open letter critical of Videla; as a consequence, he was expelled from the Senate and had to go into hiding to avoid arrest. In February 1948 he left Chile, crossing the Andes Mountains on horseback by night with the manuscript of Canto general in his saddlebag.
In exile Pablo Neruda visited the Soviet Union, Poland, Hungary, and Mexico. In Mexico he again met Matilde Urrutia, a Chilean woman whom he had first encountered in 1946. Their marriage would last until the end of his life, and she would inspire some of the most passionate love poems written in Spanish in the 20th century. The third volume of Neruda's Residencia cycle, Tercera residencia, 1935–45 (1947), completed his rejection of egocentric angst and his open espousal of left-wing ideological concerns. His Marxist political beliefs receive their culminating expression in Canto general. This epic poem celebrates Latin America—its flora, its fauna, and its history, particularly the wars of liberation from Spanish rule and the continuing struggle of its peoples to obtain freedom and social justice. --Encyclopædia Britannica
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